If you’re anything like me, the record in your brain probably scratched and you had to re-read the first couple paragraphs. In the words of 38 Special, hold on loosely. Right when you think you’ve got a handle on Murakami’s narrative style, you’ll begin chapter two and in sets the confusion. You’ll notice the most mundane circumstances turn our protagonist into a hard-boiled detective.Īs the reader, you will follow in the protagonist’s footsteps and keep your eyes open for clues as you try to figure out what’s going on. This is a classic detective move, and the reader tries to figure out what is happening along with the protagonist. We follow a male protagonist in an elevator who is not quite sure whether he is ascending or descending as he takes inventory of his five senses and tries to assess his situation. Hard-Boiled Wonderland and the End of the World begins in medias res or “in the middle of things” which is a kind of narrative device that immediately leaves the reader looking for clues to fill in the back story. Ralph Ellison and Kenneth Burke on Race, Writing, and Friendship.Kenneth Burke on Reading for Identification.Lost in Translation: Hard-Boiled Wonderland and the End of the World.Ray Bradbury on the Seduction of Space in The Rocket Man.Genius and Ink: Virginia Woolf on How to Read.Walter Benjamin on the Work of Art in the Age of Mechanical Reproduction.Simone Weil on the Generosity of Attention in Gravity and Grace.Simone de Beauvoir on The Ethics of Ambiguity and Existential Courage.The Role of Reciprocity in Nature in Haruki Murakami’s The Elephant Vanishes.Bridge and Door: Georg Simmel on How Separation Inspires Human Connection.Mary Oliver Finds the Antidote to Confusion in Literature.Transforming 1984: The Pursuit of Wisdom and Wonder With How We Read.Ethics of the Infinite: The Origins of Radical Responsibility in the Thought of Emmanuel Levinas.
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